May 22 |

We added photos from the 2007 photoshoot Imogen did for Instyle Magazine! She looks super gorgeous so be sure to check out all the photos in the Gallery!
Photoshoots > Pictorials > 2007 K Foord
May 08 |

We added high def screencaptures of Imogen’s first appearance in a movie in V For Vendetta in 2005 where she portrayed Young Valerie Page . Even if she didn’t have any lines she still was amazing! Have a look in the Gallery!
Movies > V for Vendetta (2006) > HD Screencaptures
May 07 |

We added new high quality production stills from Imogen’s movie “A Late Quartet“. She looks gorgeous in the photos so be sure to check them out in the Gallery!
Movies > A Late Quartet (2012) > Production Stills
May 03 |

Imogen posed alongside Greetings from Tim Buckley co-star Penn Badgley for Tribeca Film Festival 2013 Vanity Fair Portraits by F Dall’Anese on April 23, 2013 in New York City. She looks beautiful!
Photoshoots > Pictorials > 2013 F Dall’Anese
May 03 |

The first thing you notice about Imogen Poots is her smile–it stretches across her face and lingers longer than the average upturned mouth, punctuating the end of practically every other sentence she utters. It’s hard to blame her; things are going well for the British actress. She’s got six films slated for release this year–including Greetings From Tim Buckley, which is currently available via video-on-demand and has a slow roll-out in theaters starting May 3. Though the movie is ostensibly about the folk icon Tim Buckley and his son Jeff Buckley (played by Penn Badgley), Poots repositions it as a tale of fleeting love through her role as Allie, an intern who has a brief–but deep-connection with the younger Buckley. It could be a character you write-off, but instead Poots imbues her with Penny Lane-levels of confidence and independence. Before the film’s big premiere at the Tribeca Film Festival, we sat down with Poots to talk to her about going through a nu-metal phase, wanting to be like Michael Shannon, and being asked to brush her hair every now and again.
Although the film is based on a concert that actually happened, your character is fictionalized. How much freedom did you have to fill in the blanks with Allie?
It was an interesting thing, I remember it was like the idea of Almost Famous or something like that, and somebody who you feel could have been real because it just made sense. And when I read the script it made sense, because she was an assemblage of many different figures in [Jeff] Buckley’s life at the time–women around him and her ideas in performance art–but I think also of course he fell in love, of course he had these girls, and she was someone specific to him to being a catalyst in going back to find his father, and going to the tribute concert and following that through. He was enigmatic and she was enigmatic too, and I think its kind of not knowing too much about someone that allows the audience to invest in their relationship.
